Search Results for "Holodomor"

Bondsonen från Rusiv

Category: by sophie engström, Centraleuropa, Galizien, Historia, Kåseri, krönika, Litteratur, ukraina
Tags: , , , , , , , , , , , , , , ,

(Läsningstid: 5 minuter)

På Lubicz, strax intill Krakóws opera, står en äldre villa och åldras med inte riktigt så mycket värdighet som man skulle önska. Putsen har rasat på sina håll, och en vacker dekoration på husets framsida har tyvärr blekts av tidens tand. Men trots det drar villan till sig den förbipasserandes uppmärksamhet. Kanske är det för att dess fysionomi skvallrar om fornstora dagar.

Och mycket riktigt, här går det att finna saker av intresse. På husets ena sida sitter en plakett. Den förkunnar att här bodde minsann den store Vasyl Stefanyk. Ett namn dessvärre okänt för det stora flertalet från våra breddgrader. Men på andra sidan gränsen, alltså i Ukraina, är han en välkänd figur.

Vasyl Stefanyk föddes 1871 i den lilla byn Rusiv, som ligger strax norr om gränsen till Rumänien, och som då låg i Galizien, det Habsburgska rikets periferi. Han kom från en förhållandevis rik bondefamilj. Redan i unga år hade han problem med sin far, så tillvida att de tyvärr aldrig riktigt kom överens. Hans mor var den han tydde sig till, och det var hon som uppmuntrade honom. Som barn fick han tidigt bekanta sig med de ukrainska folksångerna, sagorna och berättelserna som förekom i Pokuttja, alltså de trakter där han växte upp. Sagorna och sångerna var ofta befolkade med mystiska väsen och skeenden, vilket fascinerade den unge Vasyl, och kanske inspirerade en av hans framtida yrkesbanor.

Som sjuåring skickades han till skolan i den större staden Sniatyn, och därefter till Kolomija. I den senare skolan blev han enligt egen utsago utsatt för regelrätt mobbning för sin kortväxthet. Kanske var det då han la grunden till sin avsky mot orättvisor. I gymnasiet träffade han aktivisten, kvinnosakskvinnan och författarinnan Anna Pavlyk, och det var hon som visade honom vägen in till den ukrainskspråkiga litteraturen, samt ukrainarnas kamp för sina rättigheter. I gymnasiet fick han dock inte lära sig något om ukrainsk kultur, enär inte ens språket fanns på schemat. Hans engagemang för den ukrainska frågan ledde dessvärre till att han slutligen relegerades från skolan i Kolomija, och han flyttade till Drohobytj, där han sedermera fick sin gymnasieexamen 1892.

Den som är bevandrad i Galiziens geografi, tror nog att han nu begav sig till Lviv (då Lemberg) för att studera. Men så var inte fallet. Vasyl Stefanyk flyttade till Kraków, och skrev in sig på den medicinska fakulteten på Jagiellonska universitetet. Det skulle dock visa sig att Vasyl inte föredrog att bota människors fysiska tillkortakommanden, ety han istället började fördjupa sig i polsk litteratur och kultur. Han blev ett välkänt namn i de konstnärliga och litterära sällskapen, och han blev också nära vän med flera inom Unga Polen (Młoda Polska). Det var också här i Kraków som han inledde sina första trevande försök som författare. Under några intensiva år efter sin tid i Kraków, skrev han de verk som han idag är ihågkommen för.

Väl hemkommen till sina hemtrakter hade han ständigt återkommande gräl med sin far, som vägrade stödja sonens författarambitioner. Mitt i all bedrövelse gick hans mor bort och Vasyl drabbades av en djup depression. Poeten Lesja Ukrajinka, som mötte honom i Tjernivtsi 1901, noterade hans nedstämdhet, samt hans tilltagande skrivkramp och överdrivna självkritik. Men redan tre år senare lyste lyckan mot honom igen, då han gifte sig med sin stora kärlek, Olha Hamorak. Bröllopet stod i Lviv, på hotell Wanda, och bland gästerna återfanns den store författaren och frihetskämpen Ivan Franko.

Det var just under denna tid, vid sekelskiftet 1900, som han stod på höjden av sin litterära karriär. Efter 1905 skulle det dröja ända till 1916 innan han publicerade nya verk. Vasyl Stefanyk var nämligen lika mycket politiker och frihetskämpe som han var författare. 1908 valdes han således in i det Habsburgska rikets parlamentet. Där satt han ända till hela det stora imperiet slets sönder av inbördes splittring och yttre angrepp. Under den mycket korta tiden för Västukrainska folkrepublikens existens (1918-19) var han vicepresident, och i den Ukrainska folkrepubliken (1918-21) hade han en uppburen ställning. När så det första självständiga Ukraina besegrades av polska och sovjetiska styrkor, införlivades de västra delarna i Polen, emedan de östra delarna blev inlemmade i Sovjetunionen. Vasyl Stefanyk hamnade följdaktligen i den sistnämnda. Han utnämndes bland annat till västra Ukrainas viktigaste författare av sovjeterna, men Vasyl Stefanyk vägrade ta emot utmärkelsen och prispengarna i protest mot den orkestrerade svältkatastrofen Holodomor, som 1932-33 drabbade bönderna i östra Ukraina. Tre år senare, år 1936, gick Vasyl ur tiden på samma plats som han föddes. Därmed hade han slutit cirkeln.

Vasyl Stefanyks författarskap består främst av noveller, några av dem bara någon sida lång. Han skrev (minst) 59 stycken noveller och oräkneligt antal dikter. Hans författargärning kretsade kring de ukrainska böndernas svåra liv och deras ofta utsatta situation. Hans hjältar brottas med både stora och små livsfrågor, och vi får följa dem genom att ta del av deras inre röster. Det var inte ovanligt att Vasyl Stefanyk använde dialektala uttryck, vilket inbegriper en del besvär för de översättare som ger sig i kast med hans litterära alster. Bland hans mest betydande verk återfinns Den blå boken (Синя книжечка) (1899), och åren därpå kom Stenkorset (Камінний Хрест) (1900), Vägen (Дорога) (1901) samt Mitt ord (Моє слово) (1905).

Den stora villan på Lubicz, där Vasyl Stefanyk bodde under sin tid i Kraków, tittar dystert ut på den trafikerade vägen. På hans tid var den säkerligen också trafikerad, men då låg villan i stadens utkant, och vi kan anta att här ändå rådde en lantlig atmosfär. Något som nog passade bondsonen från Rusiv.


Vasyl Stefanyk porträtterad av Ivan Trush, 1896.


Vasyl Stefanyks bostad i Kraków.


Om de som lånar Stalins penna

Category: by sophie engström, krönika, ukraina
Tags: , ,

(Läsningstid: 3 minuter)

Det är inte helt ovanligt att jag möter påståendet att Ukraina leds av en fascistisk regering. Ofta hör och läser jag också påståenden om att landet i sin helhet är xenofobiskt. Oftast är det de subtila uttalandena som är de mest svåra att argumentera emot.

Jag tillhör inte de som försvarar Ukrainas regering i allt det gör. Det finns de internationellt som faktiskt försöker göra det. Det tillvägagångssättet hjälper inte Ukraina. För faktum är att många beslut som tas av regeringen och presidenten är svåra att försvara, om man tror på ett öppet och demokratiskt samhälle. Jag tycker till exempel (notera att jag väljer ett exempel och inte slår ner på var eviga punkt) att Rebecca Harms gjort rätt i att kritisera den nya e- deklartionslag som tvingar organisationer att redogöra för sina finansiärer. Det är rätt att kritisera den lagen, då dess udd kan användas på fel vis. Avsikten med den är att komma åt de organisationer som får pengar för att sprida desinformation i Ukraina. Det är alltså Kremls inflytande i landet man vill komma åt, men det kan också betyda att andra organisationer kan drabbas.

Men det är inte den kritiken jag syftade på inledningsvis. Jag syftar på den kritik som oftast trampar på i gamla beprövade fotspår. Sina belägg för Ukrainas felaktiga agerande finner de i de mörkaste hörn av vår närhistoria. Ett sådant exempel är en artikel som nyligen publicerades Aftonbladet Kultur. Denna artikel, som publicerades dagarna före Eurovision song contest i Kyjiv, valde att enbart belysa en argumentation som byggde på att det finns en nedärvd böjelse för fascism och nazism i Ukraina. Artikelförfattaren gick så långt att han nästan försvarade deporteringen av tusentals Krymtatarer, med att de sympatiserat med Nazityskland.

Det står utom allt tvivel att flera krymtatarnerna verkligen såg nazisterna som befriare, men det innebär inte att 1) alla sympatiserade med nazisterna 2) att de sympatiserade med hela den nazistiska ideologin. Vi vet väldigt lite om vad de faktiskt visste om Nazityskland. De hade även skäl att känna skräck för sovjetiska styrkor. Före det hade de sovjetiska styrkorna inte gett någon anledning att tro att de var vänligt inställda till krymtatarerna, som faktiskt ville få ett egenstyre. 1930-talets svältkatastrof, Holodomor, var en konstruerad svält, som måste satt skräck i de flesta folkgrupper i regionen. Det är därför inte helt osannolikt att fler krymtatarer hört talas om den katastrofen, än om den katastrof som drabbade judarna i Europa.

Vi kan ju gå till Sverige för att få bekräftat hur svårt många hade att tro på tankarna om judeförföljelser i Europa. Vår egen utrikesminister under andra världskriget,  Christian Günther, hade inga svårigheter att blunda för de rykten om Nazitysklands brott mot mänskligheten. Om vår egen utrikesminister kunde göra en sådan felbedömning, varför skulle inte ett fattigt och isolerat folk kunna dra samma felslut?

Att en svensk journalist, på en av de mest inflytelserika kultursidorna i Sverige, tycks försvara Stalins illgärningar mot ett folk är egentligen groteskt, men inte helt oväntat. Argumentationen bottnar i en syn på folken i Ukraina som potentiella fascister. Istället för att genom dialog och diskussion, försöka vägleda ett lands mödosamma väg mot ett bättre och mer demokratiskt​ samhälle, väljer man att undergräva varje steg mot positiv förändring, samt att använda sig av retorik som är lånad från Stalin.

Genom att låna sin penna till en sådan våldsverkare lär framtiden endast leda till skyttegravspositionering inom samtalet om Ukraina. Det tjänar ingen på. Och kanske allra minst Aftonbladet Kultur.

Ett kuvert jag inhandlade idag, tillverkat av ukrainska Postverket. Kuvertets motiv skulle kunna stå i bjärt kontrast med tanken om Ukraina som fascistiskt, men jag tänker inte slänga ut en sådan brandfackla​, utan bara upplysa om detta också är Ukraina.   


Autumn 2012 Flashback

Category: by sophie engström, photography
Tags: ,

(Läsningstid: < 1 minut)

Found an undeveloped film from last Autumn, including Holodomor celebrations in L’viv and Wine and Cheese Fest… so here we go.

holodomor 2012 III

Traces of light. Holodomor 2012.


When left wing criticisms supports Stalinism

Category: by sophie engström, movies, russia
Tags: , , , , , ,

(Läsningstid: 6 minuter)

When I was in Kyiv in January and February I meet several that said they had identified one very important lack in the Ukrainian domestic debate and that is the lack of left wing intellectuals. I must say I agreed fully since we do need a criticisms of liberal values, capitalism as a guarantee of democracy, the concepts like democracy etc. I can’t value wheather it is the recipe on a “good debate climate” but at least I can see the world (Western, Eastern, Northern, Southern, in actually all directions) has been living in a sort of liberal “dictatorship” for far too long. It is possible that I have a very simplistic understanding of what Ukraine needs, but at least I can see that the country need something to make the debate more vivid and productive. Furthermore, when I was in Moscow a couple of months later I heard the same point of view, what Russia need is left wing intellectuals that stands in contrast towards Kremlin and the political establishment.

But it was not until the other week, when somebody wrote on my chat that Ukraine need left wing intellectuals like you have in Europe I started to feel that something was nagging me, because I answered Yeah, yeah. But this is Scandinavia, and tried to forget about it. But I couldn’t since I stumbled over my irritation over and over again. It was not until this morning, when I read a review of Burnt by the sun 2 by Nikita Mikhalkov in the independent, but rather left wing, weekly newspaper Fria Tidning that I understood how I was irritated. The newspaper is not said to be left wing, but most of the articles printed there have a rather left wing approach towards different issues. I think that is a good thing, even though the political consensus in it really can make me feel sick some times.

Back to the review. I must begin with giving the author, Per Leander, credits for making the effort to write a review that is not pointing in the same direction as all other previous reviews of the movie. Mikhalkov has gone from being the Western Europe’s favourite director (by Burnt by the sun in 1994), to become one of the least popular such during the last couple of years. Most critics uses the same kind of words about his latest work, such as a patriot and nationalistic director with simplistic rhetoric that uses the Kremlin to authorize his expensive and vulgar movies. The two first remarks is perhaps indisputable, which is perhaps the reason why it is not mentioned in the review. However, to criticize a Russian director, that was formally exalted hero, can provoke Swedish left wing because he is, yes, Russian and from the Former Soviet Union. The review in Fria Tidning is a very good example on just that.

There has been a debate in Sweden during the last year if we can regard the crimes of Stalin as brutal as those of Hitler. Many on the left wing has said that we can not, all of those on the right wing have said “yes we can”. And of course you can see the traces from this debate in the review about “Burnt by the sun 2” when the author writes that “[…]in the sequel [from ‘Brunt be the sun’], he [Mikhalkov] wants to give the image of the Nazi terror that hit Russia, after all, much worse [than the Stalins terror did]” (my translation). My first remark is actually that he writes “Russia” not “the People of Soviet Union” or something more appropriate. Secondly, we have not yet been able to identify the full scale of the Stalinist terror. We do not even know the figures of those dead. I also suspect it depends a bit on where you stand, if you think the second world war was worse than the Stalinist terror or not. If you are from in example Ukraine you might say that this picture is not entirely true, and it is not easy to tell if some of the sacrifices the people in Ukraine did there during the WW2 was because of, or connected to, Stalin decisions. (The famine, called Holodomor, is like an open wound in Ukraine’s history). I dislike how easy he make it for himself by sweeping away the victims of Stalin’s terror with words that the WW2 was worse. It was horrifying, but it does not make the Stalinist terror less worse! This is the kind of left wing rhetoric’s you often see in Sweden. (Stalin was bad yes, but look at Hitler, he was worse and see what the Americans do in…. etc etc)

weirdoutdated
Old Soviet style furniture thrown away in Moscow, May 2010.
This things we should keep, though. It is old nomenclature we should get rid of

An other point is that the author criticizes the Western movie critics because they are not able to understand everything in Russian culture history and cannot understand the all paraphrases. It is interesting to see once again that a Swedish left wing movie critics actually uses the exact way of mechanism to exclusion such as Russian nationalists do. “You will never understand this because you are not Russian”. But in what sense does this make it a better movie? In my mind many references does not make a movie better, that’s all. It could actually be very contra-productive!

The last point is perhaps a stupid remark form my side, but I just can’t let it be. It is about Nikita Mikhalkov’s “great knowledge in music”. The author bases on the fact that he is the son of Sergey Mikhalkov that wrote the Soviet Anthem (Eh, I feel lost already). Mikhalkov JR reveals this great knowledge in music in using the titel of a very popular tune from the 1930s, a Polish tango. That is like saying that I have a lot of knowledge in the 1960s because I can sing “She loves me, yeah, yeah”!

This review is merely an example that i wanted to take to illustrate what I find problematic with the stand point that many Swedish left wing intellectuals have. My point is that a left wing intellectual movement or group is perhaps needed, but if it embraces Soviet Union and Stalinism (which is shown in the above mentioned review), just to be on contrast toward liberalism and capitalism, well, then you have a problem. I think it is rather fair to criticizes Mikhalkov and his movies. He is using his power in the Russian Cinematographers’ Union as much as possible, by giving himself money and excluding others. This is not mentioned even by one word in the review, which is very odd since there were a big crisis in April 2010 when many directors and filmmakers left the union in protest against Mikhalkov’s way of ruling the union!

In some odd way many leftist intellectuals in Sweden have found it important to defend old power structures in Russia and countries in the former Soviet Union. I understand it is a way of criticizing liberalism, but from my point of view it is the wrong way!

I would like to conclude by saying that I am pretty sure that Swedish left wing intellectuals will change and stop trying to defend old nomenclatura, when they meet the newly born such movements in Ukraine and Russia. And I do hope this moment will come as soon as possible.


A Western Coalition? – Western Ukraine needs a new strategy

Category: by Jonathan Hibberd, guests, ukraine
Tags: , , , , , , ,

(Läsningstid: 6 minuter)

Where is Western Ukraine in the new political order? You could be forgiven for thinking it had disappeared from the map altogether. The new President has put a Russian in charge of the country, and set out on a course coherent with restoring Ukraine’s place to that of the ‘little Russia’ which had for the past 19 years existed only the minds of out-of-touch, chauvinistic Muscovites. Western Ukraine is now a marginalised and, some would argue, despised frontier province with nothing to offer the new order. It may even now, some might suppose, become the ‘enemy’ on which the need for ‘stability’ (meaning authoritarianism) is sold to the people, in the way that Russia scapegoats the clearly terrifying Estonia and Georgia (and up until now Ukraine) as reasons to stick to ‘strong government’. Egg-throwing and rostrum-blocking in parliament does little to dispel these insinuations.

If the new order is to persist, it poses questions to the west of the country that have never before been so prescient. Independent Ukraine was born of what one might call an unholy alliance between the communists of the east and the nationalists of the west. For many years this grand bargain carried benefits as well as disadvantages for both sides. Whilst an eastern-based business mafia held sway over the country’s industry and economy, a kind of ‘cultural mafia’ advanced a linguistic and cultural agenda that more favoured the west of the country. This grand bargain is now breaking up. Some would say this breaking up was started in the Yushchenko era. Others might contend that it is now, under Yanukovych, that one side of the country feels most disenfranchised. What is clear is that nothing is now being done with the aim of enhancing national unity. Instead of an over-arching, inclusive, reform-minded government under a prime minister such as Tigipko which the most optimistic might have hoped for, the new President has opted for a Russo-centric position. It is difficult to see how divisive appointments such as Tabachnyk can be considered necessary pragmatism. The idea that in the country that suffered the Holodomor children might in the very near future be opening textbooks that state that Stalin was a ‘strong leader who made tough decisions for Russia’ is going to be most sickening to those in the west.


Oleskiy Palace. Photo by Em and Ernie

Part of Western Ukraine’s problem is that the figures they have backed in the past have in fact served the region’s wider interests very poorly. Although large numbers turned out in the presidential second round to support Tymoshenko, there seemed little to recommend her, apart from that she wasn’t Yanukovych. The orange politicians who wrap themselves in Ukrainian patriotism in fact have interests much closer to the centre. At the other extreme, Ukrainian nationalist or patriotic parties can be seen as somewhat eccentric, perhaps extremist, in any case for many people not truly electable. Western Ukraine is clearly different to the rest of the country, culturally and linguistically and in its aspirations. These differences are only being exacerbated in the current circumstances. Western Ukrainians themselves need to start thinking about how to empower themselves against the current unenviable odds. A lot will depend on what sort of system emerges over the next couple of years.

If the current semi-parliamentary system persists, the west might look at its options modelled on regional/cultural political blocks in other European countries. In Italy, the Northern League sheds any illusions that it is a party of national consensus, and seeks to represent its regional interest within the country, where it feels under-represented. In Romania and Slovakia, the Hungarian minority is represented by Hungarian coalition parties. These coalition parties host within them a diverse set of views, from moderates to nationalists, but who manage to agree on over-arching concerns, and lobby for concessions in these areas, frequently as kingmakers in coalitions. Strong patriots might feel a need to prioritise issues such as UPA recognition, but in reality, forsaking the bigger issues over such matters does little to help the next generation. Even the People’s Self Defence block, which is an attempt at coalition party building, does not have a broad enough appeal. As the Conservatives in the UK who are learning coalition politics from scratch now realise, one has to look at the big picture. The over-arching issues for Western Ukrainians are obvious: education and language, relations with Europe and the need for a credible economic development policy for the region. So a kind of ‘Western Coalition’ could be the answer.


Lviv. Photo by Lyncis

However, we face the real prospect that the 2012 parliamentary elections may mean very little. Even if they are free and fair, including access of all political groupings to the media, the acquisition of ‘tushki’ might allow the powers that be to ‘tidy up’ any slightly messy outcome to the vote. Or who is to say at the moment that these elections won’t go the way of the currently delayed local elections? If this election finishes with the west of the country having no voice, thoughts will inevitably turn to the idea of secession. A strategy for independence would then need some serious thought. If there is a clear sentiment in favour of the idea, unofficial polls might be conducted, perhaps modelled on the unofficial pro-independence referendums that have been taking place across Catalonia.

Independence would have many advantages. Patriotic Western Ukraine would have the over-arching unity of purpose that has benefited the likes of Hungary and Poland. The overseas diaspora would be able to assist in the kinds of ways they were in Estonia, for example. Also, with suggestions that Moldova might just sneak into the EU because ‘it’s small’ (a lame criteria perhaps, but it is how many in Brussels seem to think) perhaps the EU will be able to stomach a bite-size Ukraine of, say, 7-10 million people rather than 46 million, a good chunk of whom it can be argued don’t even want to be there. A small ship is easier to turn. Observe how previously backsliding Slovakia leapfrogged its neighbours to join the Euro.

This may all of course be pie in the sky. Secession is difficult to achieve from any country. However, if aggravations produce policy concessions rather than independence, this may in itself be valuable enough, and would be preferable to marginalisation. Against this however there is the question of the west-looking centre of Ukraine. They might be the next to be marginalised.

Perhaps a separatist approach is not the best way forward at a time when a united opposition is most crucial, but nonetheless Western Ukraine needs to think very carefully before persisting with politicians who talk the talk, but in fact have little interest in the region. There is a grave danger of Western Ukrainians continuing to throw away their votes to minigarchs, thugs and tushki, and it is perhaps time that, as a united front, the region acts for itself. In any case, if the coming years prove to be difficult, a distinction may develop between those who understand and defend their civil and democratic rights, and those who are prepared to allow their freedoms to be compromised for the ‘greater good’.

Of course, the best scenario is not independence for Western Ukraine but for the entire country to be anchored into the EU accession process which helps to foster civil rights, democracy and economic reform for the country as a whole, and which would put pay to many of the worries that currently exist. It is only in the complete absence of a membership perspective for Ukraine that worries about where Ukraine is drifting have become all too real, and hence the need to possibly take a look at some radical alternative scenarios. The alternative of wait and see could be very costly.

To take the analogy of Belgium, another European country that is frequently described as divided, a few decades ago the French-speaking south dominated industrially and culturally, whilst the Dutch-speaking north was poorer. A few years on it is now the north that is in the ascendency with its new industries, with the once proud south a decaying rustbelt. Steel and coalmining are yesterday’s industries, light manufacturing, services and tourism are tomorrow’s, and it is Western Ukraine that is best placed to grasp this opportunity, if it is allowed to.

This has previously been published at Chicken in Kiev (or) Kiev Rus


Stop Robbialac Stalinism now!

Category: guests
Tags: , , , , ,

(Läsningstid: 2 minuter)

This is an open letter from the blog Stop Robbialac.

Recently, a Portuguese painting company, Robbialac, has created a brand new color, with a name of “Vermelho Estaline” (Red Stalin). Decision of its own management and creative department can be verified in company’s Web products catalog (page number 8, right side, down of the page).

Personally, I have consider this decision as a cynic and sinister way to obtain commercial gains based on inhumane suffering, blood and tears of millions de citizens of Central and East Europe, Central Asia and Caucasus.

Also, I have deeply doubt, that Robbialac managements hasn’t no information about horrors of Ukrainian Holodomor, massacre of Polish officers and civilians in Katyn or about system of Soviet concentration camps, generically known as a GULAG.

Based in all this data, I assume me personal responsibility and duty to not buying any Robbialac products, till a company will take of the market this genocidal paint and will publically ask for forgiveness, to millions of victims of Stalinist tyranny in Europe or in any place in the World.

If you are agreeing with my position, please, contact Robbialac painting to show to the company your own civic position:
robbialac@robbialac.pt
Telephone in Portugal: + 351 21 994 77 00
Fax in Portugal: +351 21 994 77 94
Green Line in Portugal: +351 800 200 725.

Permanent address of this news
http://stoprobbialac.blogspot.com/2010/04/stop-robbialac-stalinism.html

Best regards,

Jest Nas Wielu,
Citizen & Blogger,
Maputo, Mozambique

Blog

About this civic campaign on CNN


Gareth Jones diaries at exhibition

Category: by sophie engström, ukraine
Tags: , , , , , , ,

(Läsningstid: < 1 minut)

Gareth Jones is perhaps a forgotten name for many, but Cambridge Ukrainian Studies highlighted his diaries in November 2009 and you can read more about the exhibition here and see a clip from BBC here!

Gareth Jones was a Welsh journalist that was the first to publish articles about Holodomor in Western media. He alos claimed that the Soviet regime and the 5-year plans deliberately made the suffering worse. This lead to many accusations from Moscow, but also from other journalists. Even New York Times called him a liar. His diaries, where he noted everything that he saw when he travelled through Ukraine during 1930s and the time for the Holodomor, was the of course one very important part of the exhibition that Cambridge Ukrainian studies organized.

jones2