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The Russian-Chechen conflict: Factors that triggered the conflict to become an armed conflict in 1994-1996 and then again in 1999 (Part II)

Category: chechnya, guests, russia
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(Läsningstid: 7 minuter)

We continue today with Part II of Anders T Carlsson’s essay “The Russian-Chechen conflict: Factors that triggered the conflict to become an armed conflict in 1994-1996 and then again in 1999”. Don’t forget to read Part I.

Political Factors that triggered the conflict to war
Political transitions is a triggering cause in the Russian-Chechen conflict. The Chechen decision to declare independence was taken by Dzhokhar Dudayev after being elected president in 1991. The Russian state had no intention to recognize this unilateral declaration. These two positions constitute the conflict over the Chechen territory.

The decision to start war in Chechnya in 1994 was taken by the Russian president Boris Yeltsin. In 1999 it was taken by the prime minister Vladimir Putin. These historic facts support the theory that political decisions most often are the proximate (triggering) causes for war. It is also important to state that the decisions by the leaders were taken due to underlying political (the urge to stay in power), economic and military-strategic factors.

From the Chechen declaration of independence in 1991 Dzhokhar Dudayev and Boris Yeltsin had a long and hostile arguing, both attacking and insulting each other. This increased the hostile situation. The personal antagonism and inability to raise above this is in my sources said to be the reason for why the conflict could not be solved by negotiations like it had been done in Tatarstan and Bashkortostan.

In 1994 the ultra nationalist leader Zjirinovskij´s party had won 25% of the seats in the Duma – the Russian parliament. Yeltsin is said to have had ideas of a ”short successful war” to improve his popularity among the nationalists to be able to secure his power in the next presidential election. Intensifying leadership struggles is an important triggering cause explaining why the invasion of Chechnya was launched in December 1994. By the time for the campaign for the 1996 presidential elections the war was a heavy weight on the shoulders of president Yeltsin who gave order to negotiate a ceasefire. As a result the Russian troops left Chechnya but it was only a tactical and temporary withdrawal.


View of a gorge in the Caucasus Mountains in Chechnya.
Early color photograph from Russia, created by Sergei Mikhailovich Prokudin-Gorskii as part of his work to document the Russian Empire from 1909 to 1915.
Photo from wiki.

During the summer of 1999 Chechen fighters went into Dagestan proclaiming to fight for the establishment of a joint Muslim state in Northern Caucasus. As a response Yeltsin fired the Russian prime minister Sergej Stepasjin and replaced him with the head of the internal security forces (FSB) Vladimir Putin. Putin declared that Chechnya was going to be subdued with violence and launched a new military offensive. This second war was supported by controlled reports in Russian national media and made Putin widely popular within Russia. When Yeltsin declared his resignation at New Years Eve 1999 he appointed Putin as his successor. This shows how political transitions and agendas has significant influence on conflicts.

In March 2003 a criticized election on a new Chechen constitution took place and in October the by Putin proposed candidate Ahmed Kadyrov was elected president. From this on Moscow have appointed new president candidates when the former have been killed. The present Chechen president Ramzan Kadyrov, that was elected in what has been called a charade election in 2007 has set up a strong militia “the Kadyrovtsy” to wipe out all sessessionists and revenge the killing of his father – who was assassinated.while being president of Chechnya. Ramzan Kadyrov is the head of the pro-Putin United Russia party that rules Chechnya today. The rule of Kadyrov has made the eliminating of the “separatists” a local pro Russian Chechen issue. Human Right Organisations condemns the methods used by the Kadyrovtsy. In April 2009 it was announced from Kreml that the military operation was ended as a result of the improved situation in Chechnya. This has also lead to growing inter-group competition and violence.

Ultra nationalistic and fascistic movements has grew to such extent in Russia that it is regarded as dangerous for people with ethnic background in the Caucasus or Central Asia to live in Russia. They are targets for violence, extortion and some times even murder. The prevailing racism in Russia is part of an influential exclusionary nationalistic ideology that is also used by Vladimir Putin for his own purposes. The racist perception of Chechen and other Caucasian people makes it possible to wage extreme violence and war on these populations. This shows that increasingly influential exclusionary ideologies is part of the explanation what makes internal war possible.

Economic and social factors that triggered the conflict to war
Before the wars Chechnya was a transit country for oil and gas pipelines from the oil rich Caspian Sea region to the Black Sea Cost. It was also a country with own but fading oil reserves. It was of economic and strategic significance for Russia to control the area mostly for the sake of the pipelines.

As a result of the first war the infrastructure in Chechnya was destroyed and due to the isolation from the world and the Russian politics the infrastructure was not rebuilt. It was extremely hard to make an income and as a result violence and criminal actions like kidnappings and theft increased and spilled over into neighbouring states. This further isolated Chechnya and made the situation even worse. These mounting economic problems is also an explanation of what triggered the war.


Map of Chechnya. From wiki.

Conceptual and perceptual factors that triggered the conflict to war
The racist perception of Chechen and other Caucasian people that many Russians holds make it possible to wage extreme violence and war on populations like the Chechen. The intensifying patterns of cultural discrimination from the beginning of the 1990´s is also a triggering cause that makes the wars possible and accepted within Russia.

A series of bombings of civilian houses in Moscow and other Russian cities in September 1999 were said to be the deeds of Chechen terrorists and gave Putin a broad support for starting his military offensive in 1999. There are accusations that FSB were indeed responsible. However, the bombings was used to explain why the war in Chechnya was necessary. This is just one example of how ethnic bashing and propaganda are used for the purpose of gathering support for why conflicts should be solved by military means. The politically initiated propaganda in support of the war is made possible and has a strong impact because the media in Russia is controlled by the state. The state controlled TV-channels are the main source of information for the vast majority in present day Russia. The state controlled media are regarded as tools for the ruling group to maintain power.

Conclusion of he triggering causes of two wars between Russia and Chechnya
As shown in the text the Russian-Chechen conflict escalated into war as the result of decisions taken by the leaders of the Russian state and the leader of the territory of Chechnya that wanted to break free from Russia. The reason that the conflict was not solved peacefully was elite driven and internal (Chechnya was a part of Russia that wanted to break free.)

It is important to state that the decisions taken by the leaders were due to underlying political (the urge to stay in power), economical and military-strategic factors. The historical background with a persistent resistance and almost permanent warfare from 1783 to 1943 and the following deportation of the Chechen population has created experiences and memories that forms the notion of the other as a permanent enemy. The Russian hard-core decision to dominate the Caucasian territory and the Chechen hard-core resistance to this is the reason why the conflict started and has continued. War might maybe have been avoided like in Tatarstan and Bashkortostan if Boris Yeltsin and Dzhokhar Dudayev had not been driven also by personal antagonism.

This text is also a result of a dialogue with David Johansson in the process of writing.

Sources
BBC profile: Chechnya

BBC article Chechnya making regional waves, 17 January, 2000

Michael E. Brown, The Causes and regional Dimension of Internal Conflict, in Michael E. Brown, (ed.) The International dimension of Internal Conflict, London, 1996.

Svante E. Cornell, Russia’s war with Chechnya, in Svane E. Cornell’s Small Nations and Great Powers. A Study of Etnopolitical Conflict in the Caucasus, Avon, 2001.

Åsne Seierstad, Ängeln i Grozny, Smedjebacken, 2008.

Ebba Sävborg, Tjetjenien – krig i tvåhundra år, in Världspolitikens dagsfrågor, No 2, Stockholm 2003.


The Russian-Chechen conflict: Factors that triggered the conflict to become an armed conflict in 1994-1996 and then again in 1999 (Part I)

Category: chechnya, guests, russia
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(Läsningstid: 5 minuter)

With help from Anders T Carlsson viewpoint-east.org has the possibility to investigate factors for the Russian-Chechen conflict. Anders T Carlsson is a project manager with a lot of experience from culture exchange projects in Georgia. He has also worked in Russia a few months. At the moment he works as Programme Coordinator for the Göteborgs Dans & Teater Festival.

This text focuses on the Russian-Chechen conflict and suggests what factors that triggered the conflict to become war in 1994-1996 and then again in 1999-2008. An analytical model, by Michael E. Brown, that has gathered a set of underlying and proximate causes of internal conflict has been used as the analytical tool.

This article is divided into two parts and Part II will be publish tomorrow.

Part I

What makes a conflict become an internal war?
You have probably heard the story before as Michael E. Brown tells it: – in a weak state a risk complex is created by irresponsible leaders driven by intensifying elite competition in a context with different ethnic groups with problematic historic relationships and economic problems. In such a context a rapid change in any important field increases the risk that the conflicts in the area escalates into war. What finally start the war, due to Brown and the instrumentalist perception, are decisions taken by political leaders. Sometimes though mass-triggered riots is the triggering cause. But that is much more rare.

In this text we are reading the Russian – Chechen conflict with the two analytic tools provided by Michael E. Brown: they are a list of underlying causes that can turn into triggering (proximate) causes just by the changes being rapid. The factors are structural, political, economic, social and conceptual. Brown also urges us to analyse if the conflict is internally or externally driven and in both cases by whom – the elite or the masses.

Conflicts are extremely complex and when they have emerged into killings they become horrible and extremely hard to solve. As a help to keep the balance and hope it is essential to remember that most internal conflicts do not escalate into war. In Post-Soviet Russia for example the conflicts in Tatarstan and Baskortostan was solved by negotiations. Why that not happen in Chechnya can be understood by reading this text.

How come that people in a conflict area that are pushed into war by their leaders are prepared to participate in and perform the horrors of war? Browns model does not explain the psychological aspects that make internal war possible. The scholar Stuart J. Kaufman investigates and explains this. His work gives us a good complement for our understanding and for what actions that could be taken to prevent war. Even though this text is limited to analyse the Russian-Chechen conflict using Browns analytical model the work of Kaufman is important even though it is not present in this text.

Just a short historical background before we continue. Since Tsarist Russia invaded Chechnya there has been a persistent resistance and almost permanent warfare from 1783 to 1943. In 1943 the Chechens were mass deported to Siberia and Central Asia or killed on the spot if it was to difficult to move them. The Chechens were able to return after the death of Stalin. The experiences and memories of hundreds of years of war and the horrors of the deportation that killed a third of the Chechen population sets the historical and psychological background for the two wars that were fought from December 1994 to august 1996 and then 1999-2006. The two latest wars killed over 100 000 Chechens – about 10% of the population at that time.


Photo from Georgia, near the Chechen border. Thank for photo from cinto2.

Proximate Causes for the Russian – Chechen wars 1994-1996 and 1999-2008

Structural Factors that triggered the conflict to war
Michael E Brown argues that rapid changes transform permissive causes to proximate (triggering) causes. In the case of the Russian-Chechen conflict the collapsing state is the most important structural factor. When the Soviet Union collapsed in 1991 Russia became an independent state. In Chechnya the communist leader Doku Zavgayev was overthrown and Dzhokhar Dudayev won a presidential poll and proclaimed Chechnya independent of Russia. The unilateral proclamation of independence was only recognized by Afghanistan.

The new Russian state was weak. It took over a bankrupt entity with a bad infrastructure tormented by merciless inner strife for power and economical gains. The parliament blocked the possibility for the president to start a war in Chechnya. When Yeltsin had won the struggles for power and was supported by a new constitution with a strong presidential power he choose to invade Chechnya in December 1994.

The Caucasus area has a significant importance in the military agenda of Russia since the 18th century. The collapse of the Soviet Union was a major military-strategic set back for Russia on its southern border against Iran and Turkey. It also created a new threat against the Russian dominance in the area when the military equipment of the Soviet Union was confiscated and used by the Chechens to establish military capacity to protect the contested territory. The three newly independent states in Southern Caucasus and the situation that Chechnya was left to govern itself between 1991 and 1994 changed the intra-state and international military balances drastically in the Caucasus region. The Russian political agenda has been very clear since 1994. Restore dominance. The war in Chechnya was also a result of this agenda.

Another proximate cause that Brown presents is changing demographic patterns. When Chechnya declared independence the vast majority of the Russian population left. The Russians were to a large extent skilled labour like doctors, engineers and teachers. This increased the economical crisis in both a short and long term perspective and was part of the destabilisation process.

Tomorrow you can read Part II of this article. Anders will then continue to highlight Political factors, Economical and Social factors and also Conceptual and Perceptual factors that triggers the conflict of war and his finial conclusions.


S:t Petersburg 1995/2010

Category: art, guests, russia
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(Läsningstid: 2 minuter)

viewpoint-east.org proudly presents a brand new element – online virtual gallery with a different viewpoint.

First one out is Maria Magnusson.

Maria grow up at a farm at the Swedish country side, in a small village called Norra Björke. She has BA and MA in Photography at The University of Gothenburg, Sweden and a BA of Arts in History and Theory of Art also at The University of Gothenburg.

Maria is working as a photographer and occasionally as DJ and has been engaged on special projects at Stockholm City Museum. In October 2009 she participated in the 12th Annual Antimatter Film Festival, Canada, with the art video Bliss out. She was also a warm-up DJ to Jan St Werner (Mouse on Mars) at Riche, Stockholm, October 2009.

This is Maria’s words about the pictures:

S:t Petersburg 1995/2010

It has been 15 years since I looked at these pictures. They were photographed in spring 1995. It was my first trip to S:t Petersburg, Russia.

I went there with my friend Oleg Bogdanov who is a Sociologist and was
born in the city. He did a work about young people living in S:t Petersburg and I took portraits of the interviewee.

At first glance, it strikes me that these pictures looks contemporary. Like they could have being taken today. The clothes and hairdos are highly in fashion now. Time aspect is playing a trick. The time spinning around like
a lottery wheel and has stopped at 2010, when nostalgia for the 80’s in fashion, music and ideas are at it’s peak.

Looking at these portraits again I see the innocence of youth ready to
make steps through adolescence.

What are they doing today I wonder?


If he hits you he loves you

Category: gender, guests
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(Läsningstid: 4 minuter)

On International Women’s Day viewpoint-east.org focus in an very important question concerning gender equality and human rights! The essay is written by Maria Nilsson, that has written two other articles on viewpoint-east.org before, read them here or here.

I was in the beginning of my twenties and this was only my second visit to the countries called the former Soviet Union. My first visit to Ukraine had resulted in an instant love with everything from the people to the Soviet architecture so when I was admitted to a summer course hosted by a Swedish agency I was more than pleased. Sitting in the, despite the summer temperature outside, cold classroom and listening to a lady with the title Head of the Social Department in the city, I was a little bit less pleased and a little bit more annoyed.

To start with not by the lecture but by my fellow Swedish “classmates” behaviour the last few days. I was the youngest in this course and by everyone’s standards by far the most boring. It appeared that this course was nothing but an opportunity for middle aged (and probably middle life crizing) Swedes to excess in cheap vodka drinking and flirtations. The dead serious “20-something Russian language student” was not their idea of a fun crowd. Therefore my attention was not directed to the comparatively ordinary very Russian looking woman giving the lecture until she uttered the sentence that I will never forget and that has come to follow me in life “If he hits you he loves you”.


photo: sophie engström
Kyiv, Podil, Feb 2010

As I remember it the lady made this remark upon a question from the audience on how the authorities is battling the high instances of domestic abuse in this country. At that time I was not fluent in Russian and had to wait for the translator until the full meaning of this remark came over me. “If he hits you he loves you”. If this was the official view on the domestic violence I will never know, but as I have come to travel to and live more in the former Soviet union I have realized that domestic violence is not something you address openly at any level.

Several years later, and following the knowledge of working in a women’s rights organisation for a few years, I now strongly believe in the notion of gender based violence being sedimented in the same structures regardless of its occurrence in the middle class Swedish family, the illiterate couple in Africa, a family from Middle East or somewhere in the former Soviet union. It is a question of power and the fact that women are considered by societal structures to be subordinate men. Hence the way in which this problem is addressed by society is determining the ability of preventive measures and support system of the abused women. If society in general shares the idea of “if he hits you he loves you” then there is indication that the problem of domestic violence is considered to be exactly a domestic problem, where the authorities have no mandate to interfere and problems occurring in this sphere should also be resolved within the private walls of the home.

Travelling and living in the former Soviet Union I have come to realise two things; there are very few women’s shelter outside of the big cities and secondly, many women blame themselves for being abused as well consider the husband or boyfriend to be the “real” victim. In example “I did not make him proper supper”, “He can’t handle not having a job”, although the latter is not different comparing to other contexts.

I have met women behind the phrase “if the hits you he loves you” and I don’t think that Elena after being repeatedly abused by her alcoholic husband and after which he in a drunken moment threw her little girl off the balcony, would ever consider this phrase to be correct. Her bruises both inside and outside will never permanently go away. The husband was not even sentence to jail. Elena herself did not believe that she deserved anything else and found herself in yet another abusive relationship believing that her life was over long before it should be

Discussing gender in development cooperation and foreign relations is often about gender mainstreaming and so called gender perspective. The question is if this is enough? More attention must be paid to domestic violence and start treating it as it is – a violation against human rights.


Öst är Öst och Väst är Väst – i alla fall i OS

Category: belarus, eastern europe, guests, russia
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(Läsningstid: 2 minuter)

viewpoint-east.org kan stolt presentera ett nytt bidrag av Maria Nilsson. Nu om fördomar och rysskräck i bland annat (så dagsaktuella) OS-sammanhang.

Vem har sagt att det är enkelt att vara slavist, eller mindre akademiskt uttryckt rysskramare eller öststatsälskare? Det är aldrig tydligare än när det är dags för OS eller annat stort sportevenemang och framför allt i individuella sporter där svenskarna har, eller i alla fall har haft stora framgångar.

Vem som helst kan i allmänhet uppskatta det vackra rörelsemönstret hos en konståkare som Evgenij Plushenko, utsökta dribblingarna av en Andreij Arshavin eller en Elena Isinbajevas (dessutom har hon ju samma manager som Christian Olsson) förmåga att hela tiden slå nya världsrekord men den längdskidåkare eller skidskytt från forna Öst som skidar förbi en Charlotte Kalla eller skjuter bättre än en Helena Jonsson finner aldrig nåd hos den svenska publiken. Finns det någon gång man kan fråga sig om muren överhuvudtaget fallit är det i längdskidspåret eller i skidskyttetävlingar. Aldrig är väl uppdelning mellan öst och väst dvs. ont och gott så tydlig som i dessa avseende.

Uppkrupen i ett hörn i ett stort sällskap mumlar du förklaringar till varför ryska namn är så konstiga och i allmänhet feluttalade av kommentatorer, försöker glatt dra på munnen när sällskapet skämtar kring att Belarusier och Ryssar inte får komma hem om de gör en dålig tävling eller snarare blir förvisade till Sibirien och framför allt anstränger dig för att inte göra det till ett statsvetenskapligt problem när någon poängterar hur mycket bättre det var när Sovjet fanns och det då fanns fem åkare istället för dagens 35.

I händelse av en ”Öststats” seger ställer sig alla kollektivt upp och skriker epo medan du lite försynt förklarar att enbart för att ryska tävlande blivit ertappade som dopade vid fler tillfällen än de allestädes samvetsgranna svenskarna behöver det inte betyda att alla på andra sidan Donau knaprar piller morgon, middag och kväll. Det kan ju faktiskt vara så att tävlande från det som i det här sammanhanget så gärna benämns som forna Öst faktiskt är bättre tränade, bättre på att toppa formen, bättre på att hålla nervositeten stången osv. än sina svenska motsvarigheter.

Alla som någon gång rest i det forna Öst eller har vänner som kommer därifrån vet om den benhårda disciplin som alla barn grillas i oavsett om det handlar om tämligen oskyldiga fritidssysselsättningar eller prestationsinriktade sporter. Det var en av många paradoxer med landet bakom järnridån, alla skulle vara bäst samtidigt som det kollektiva alltid skulle segra över det individuella. Alla som någon gång har befunnit sig i en träningshall i Öst under vintern vet också om den skoningslösa kylan, avsaknaden av varmvatten i duscharna och möglet i omklädningsrummet vilket antagligen är mer karaktärsdanande än de svenska motsvarigheterna. Till dess att jag blir motbevisad av dopingkontroller kommer jag därför att fortsätta glädjas i smyg i mitt soffhörn vid en ”Öststatsseger”.


State of Mind – By Annica Karlsson Rixon & Anna Viola Hallberg

Category: art, belarus, gender, guests, PRIDE, queer, ukraine
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(Läsningstid: 11 minuter)

This essay by Annica Karlsson Rixon and Anna Viola Hallberg is about their installation project State of Mind. It has been exhibited in Stockholm, S:t Petersburg and Kiev, just to mention some. State of Mind will be exhibited at Y Gallery in Minsk, Belarus in March 2010.

Download full pdf here.

Acquiring direction

‘Life itself’ is often imagined in terms of ‘having a direction’, which decides from the present what the future should be. After all, to acquire a direction takes time, even if it feels as if we have always followed one line or another, or as if we ‘began’ and ‘ended’ at the same place. Indeed, it is by following some lines more then others that we might acquire our sense of who it is that we are.
Sara Ahmed Queer Phenomenology. Duke University Press. 2006.

The writing of this text started at the end of July, a few days after installing State of Mind, for the first time, in the context of EuroPride 08 in Stockholm. [Kulturhuset – Stockholm, July 25 – August 25, 2008. State of Mind is exhibited together with Resonanse at ROSPHOTO – the Russian state center of photography in St. Petersburg, September 5 – October 5, 2008. A tour is planned for Kiev and Kharkov, Ukraine in 2009 and then to move onwards.] The setting for this opening forms an accentuated framework for the narrative, it becomes a component of history writing and an illustrative element for media in the reporting on the event focusing on the themes of the festival; “breaking borders” [The theme for EuroPride in Stockholm 2008 is “Swedish Sin, Breaking Borders”.], bridging politics, culture and entertainment.

State of Mind (Installation view) State of Mind consolidates to a trilogy together with Resonance and Code of Silence. In different ways these lens-based art installations cast light on aspects of socially and culturally constructed identity-based groups in contemporary society. Photography and video are used in combination to expand on the separate histories of the two media with regard to interviews and portraits in documentary genres. This is the point of departure for all three installations. As for the overall narrative, the topics of how and why different groupings construct networks and communities in order to achieve a sense of belonging are in focus, as well as the conditions and necessities for forming the community. The projects look at the social conventions family, love and career, dealing with power relations such as gender, ethnicity, sexual orientation and class. The method of collecting the material in fieldwork is similar in the three projects, but the questions asked and issues raised are specific to each segment of the installations. Portraiture and personally based stories are central. The trilogy is presented as three separate art installations, which co-exist and cross-inform each other. They reflect upon civil rights issues and the idea of being safe and productive within society, working in the space between personal choice and social expectations. Memory, narration, visual representation and oral history are central. In each of the three works a different group is approached that relates to the artists’ personal lives. Resonance [Resonance was exhibited at Norrköping Art Museum, Göteborgs Konsthall and Uppsala Museum of Art during 2006-2007.], our first collaboration, is based on a network of peers belonging to a successful generation of artists and curators. They are all women who made an entrance onto the Swedish and Danish art scene in the 1990´s, and now have international careers. On one level Resonance is an examination of the Scandinavian welfare state, and in more specific terms, the impact of the conditions it creates for the portrayed women to make it on the art scene. In Code of Silence [Code of Silence will be ready to be launched in 2009.] this is a sibling group of five who grew up on a small farm in rural Gothenburg, Sweden. The farm had to face the challenge of major cultural reforms in the nineteenth century, but remained intact. It became a target for expropriation during the 1950´s and 70´s to make way for the reforms involved in building the modern Sweden. Hence, it remained an object of possible interest for the national cultural heritage. The farm was finally demolished in 2004. Code of Silence is based on oral history, memories told by the siblings infringing the UN’s Declaration of Human Rights paragraph 17 relating to everyone’s right to a home. In addition this installation includes a large number of private and official documents such as hand-written wills, receipts from selling milk, and letters to the King of Sweden. State of Mind explores everyday life and the boundaries between ethics, legislation, prejudice and civic expectations in the LGBTQ [Lesbian, Gay, Bisexual, Transsexual, Queer] life of St. Petersburg, Russia. It emphasizes individuals identifying as lesbians or bisexual women.

Continue reading…


My small essay concerning improvised music

Category: guests, music
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(Läsningstid: 2 minuter)

I am very proud to present an other guest at viewpoint-east.org. Today you can read an essay by Jury Jaremchuk, composer and instrumentalist from Lviv, Ukraine. He plays tenor-sax, soprano-sax, clarinet, percussion, piano. He works in different genres (free jazz, contemporary music, improvised music), contemporary technique of sax play (multiphone, slap, double staccato).

myspace
wordspress

What is improvised music? It is
Music without different aesthetic idioms,
Music which is sent to different currents and styles,
Music is created here and now, directly on eyes at the audience,
The conditions is that it is music of the organized accidents, as a controllable stream
Creative consciousness, certainly, with very high, musical
Preparation of executors of this music which demands a high level
Imaginations, intuitions, concentration and musical culture, which borders to
Religious rituals, creating a strong power field,
Where experience one or two, are empathized by the whole groups of people.
In this music there is no totalitarianism, it is born directly from
Group inspirations participants of ensemble, and feedback of a sound and idea,
This music a sound koan, or group meditation.
All of us know, that music is a sound, and the sound is the carrier enough
The big information, supervising a sound we structure it in
Composition directly at the moment of game, structure which
We make here and now are intelectual, a product of our mind with mentality and intuition,
As the mirror displays our external and inwardness, that is all
Processes that is demonstration all our essence at present.
Truthfulness of this process, proves to be true unpredictability and
Spontaneity played, is actually important for such music.
As the predominating factor this music is freedom, in
The moment of game, we are released from social stratifications and dogmas,
Coming nearer directly to the primary essence.
And still, music and culture as a whole, are the major factors, allowing to overcome intolerableness of social life.

yaremtchuk