viewpoint-east.org

Robbialac Stalinism stopped!

Category: guests
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(Läsningstid: < 1 minut)

I received the information from the campaign Stop Robbialac today, that the company Robbialac has withdrawn their colour “Vermelho Estaline” (Red Stalin) from their catalog. viewpoint-east.org has previously published Stop Robbialac’s protest letter. Here is what they say.

Robbialac would like to clarify that it was never our intention to offend the victims of Stalinism.

Therefore, in order to avoid any doubts about the issue, Robbialac decided to withdraw suppress the color designation “vermelho-Estaline” and “vermelho Rússia”, from the colour cards where they were mentioned.
Robbialac operates in the Portuguese market for 79 years, and has always maintained a thorough respect for the consumers and employees.

TINTAS ROBBIALAC, S.A.
++++++++++++


Stop Robbialac Stalinism now!

Category: guests
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(Läsningstid: 2 minuter)

This is an open letter from the blog Stop Robbialac.

Recently, a Portuguese painting company, Robbialac, has created a brand new color, with a name of “Vermelho Estaline” (Red Stalin). Decision of its own management and creative department can be verified in company’s Web products catalog (page number 8, right side, down of the page).

Personally, I have consider this decision as a cynic and sinister way to obtain commercial gains based on inhumane suffering, blood and tears of millions de citizens of Central and East Europe, Central Asia and Caucasus.

Also, I have deeply doubt, that Robbialac managements hasn’t no information about horrors of Ukrainian Holodomor, massacre of Polish officers and civilians in Katyn or about system of Soviet concentration camps, generically known as a GULAG.

Based in all this data, I assume me personal responsibility and duty to not buying any Robbialac products, till a company will take of the market this genocidal paint and will publically ask for forgiveness, to millions of victims of Stalinist tyranny in Europe or in any place in the World.

If you are agreeing with my position, please, contact Robbialac painting to show to the company your own civic position:
robbialac@robbialac.pt
Telephone in Portugal: + 351 21 994 77 00
Fax in Portugal: +351 21 994 77 94
Green Line in Portugal: +351 800 200 725.

Permanent address of this news
http://stoprobbialac.blogspot.com/2010/04/stop-robbialac-stalinism.html

Best regards,

Jest Nas Wielu,
Citizen & Blogger,
Maputo, Mozambique

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About this civic campaign on CNN


My Quest To the City Council: Beginning

Category: belarus, by Olga Karach, guests
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(Läsningstid: 9 minuter)

‘Curiouser and curiouser!’

I love quests. Otherwise I would have never become a politician. At the same time I never play computer quests, because I am very positive they are quite dull if compared with real political life in contemporary Belarus. Can you get a puzzle to solve just at the very beginning, when you are just registering for the game? Unlikely. In most cases, for introduction you get a long text of the License of Agreement, written in regular Legalese.

Unlike in computer gaming, my quest for becoming a People’s Representative in the City Council started with a whole range of puzzling tasks even before I could get the official registration. When I was registering for candidacy, I was solemnly given a letter from the Tax Inspection office. Why at that very moment? Why only me? Why not via regular mail, but via personal delivery of the Election Commission Chair? The most plausible answer coming to my mind is that the authorities are trying to put pressure on me and the Election Commission members. However, a quest is a quest, so I also sent an official request to the Tax Inspection office and asked them the same questions. They are still keeping silent about their own official motives though. Evidently they are not so experienced in questing…

Just like Alice in Wonderland, I can only say that subsequent events are getting ‘curiouser and curiouser’. Now, Vitebsk region has the one and only independent newspaper, that of VITEBSKI KURIER (Vitebsk Courier), and the newspaper has never been in favour with the authorities. Actually, we will probably soon have to re-brand it as ‘Vitebsk Phoenix’, because the newspaper team now has a lot of skills in ‘rising from the ashes’ (is there a skill like this in WORLD OF WARCRAFT?). So the authorities never liked the newspaper, but with my registration as a candidate the repressions just rocketed up. The newspaper team has violated no law, from the Election Code or any other, but now it is being considered ‘enemy #1’, and the number of enforcers from the local police who are hunting it down can definitely make a bystander think that the police are dealing with nothing less like Professor Moriarty, Vitebsk City level. Why so? Again, the most plausible answer is that in the official scenario for the coming elections there is no place for independent sources of information. But what can be explanations from the police and the authorities? Anyway, VITEBSKI KURIER will be published and will be delivered to the readers no matter what. Just like before, we will outplay the authorities in this quest as well.

‘When I use a word,’ 
Humpty Dumpty said in rather a scornful tone, 
‘it means just what I choose it to mean—
neither more nor less.’

Last week the cars my relatives own turned out to be included in the Road Police list of vehicles reported stolen. How come? Another puzzle to solve. Apparently, when enforcers from Vitebsk police see a car, it becomes just what they choose it to become. Humpty Dumpty did the same with words, but never with private property. The culmination of this logic was the case when on April 7 the car officially owned by my husband was arrested and delivered to a Police precinct on the suspicion that it had been stolen. The fact that I myself was sitting in the car and the owner was personally driving it definitely was not enough to clear the suspicion. The sad thing is that while a police platoon was hunting down, arresting, and escorting my husband’s car, some real criminals could be stealing cars at will.

This new type of logic invented by Vitebsk police is sometimes incomprehensible even for their colleagues. When Mogilev Region police officers found a car from the official list of vehicles reported stolen, they also had their piece of quest. They could not figure out why there were 10 000 copies of an officially registered newspaper in there, neatly packed and ready for distribution. They had seen many things in stolen cars, but a complete circulation of a newspaper issue was really something very new. When they called Vitebsk police, Vitebsk enforcers solved their problem immediately. The ‘stolen’ car presented no interest for them, they just asked to confiscate the newspaper copies. Have you already guessed that the newspaper title was VITEBSKI KURIER? If yes, you are also beginning to collect points in this quest.

By the way, the issue reached the readers anyway. The newspaper team fulfilled the civil duty, is spite of the hindrances developed by the authorities and their enforcers. We never forget about our main quest and its mission: to provide people with free unbiased information.

‘Now, I give you fair warning,’ 
shouted the Red Queen, stamping on the ground as she spoke; 
‘either you or your head must be off, 
and that in about half no time! 
Take your choice!’

Arranging a meeting with my voters was a whole new part of my quest, and there I had to use a lot of my ‘skills and points’. On April 10 my representative sent an official letter to the Administration of Oktiabrski District of Vitebsk notifying them that on April 12-14 I was going to hold meetings with my voters on the territories near their apartment houses. Knowing how ‘creative’ the Red Queen can be in putting obstacles for people who want fair representation, we also sent another copy by registered mail. The royal reaction was fast and furious. The official reply #01-19/19В signed by Mr. V. A. Galanov, the first deputy of the Administration Head, read that ‘… based on the information above, you are not allowed to hold meetings with information and entertainment elements on the territories near the apartment houses of Klinicheski Election District #51… the only place you can use is the open-air scene located at 63-1 Pravdy Street.’

In my election precinct there are a lot of places fully suitable for an open talk with voters. Why didn’t the authorities mention them? Another puzzle… Anyway, I am a law-abiding citizen, so I answered that if it is ‘the open-air scene located at 63-1 Pravdy Street’, let it be so. Let us play there, and let us play fair.

My election precinct is special, because there are four candidates. In most precincts throughout Belarus there is just one. To make the election quest simpler? Well, I and my activists are sure that ‘no selection—no election’. The citizens’ choice must be educated, people must know their candidates, their backgrounds, their programs. The candidates must meet in fair verbal battles, so that people will see who is who now and who is going to be who after the elections. That is why on April 14 I personally called all my rivals and invited them to come to the meeting in the evening to the one and only ‘open-air scene located at 63-1 Pravdy Street’. All the other candidates confirmed receiving the information, and none of them said that they were organizing their own events at the time.

However, the Red Queen had her own views on how candidates must compete for votes. At about 6pm, just one hour before my arranged meeting with voters, I got a call to my mobile phone. A male introduced himself as ‘A. K. Kondratovich, a deputy head of Oktiabrski District Administration’, and then immediately revealed his true nature of being just a playing card in the authority pack. He said that they banned my meeting with voters because another candidate earlier applied for the same place and time, and the candidate does not want my presence there. I felt just like Alice again—I had to be off, and that in about half no time. Needless to say that the candidate was one of those whom I was calling at noon, and he said not a single word about his own ‘planned’ meeting. Had the Red Queen turned him into a zombie? Or was he a zombie from the very beginning?
Continue reading…


Ukraine write Freedom of Information Act with help of German experience

Category: by sophie engström, guests, sociala medier, ukraine, Uncategorized
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(Läsningstid: 2 minuter)

In today’s issue of Deutsche Welle Olha Wesnjanka writes an interesting article about the situation for freedom of information in Ukraine. Ukraine has a freedom of information legislation from 1996, but it does not include a specification on general right of access to information. The law therefor needs to be improved.

The head of Center for Political and Legal Reforms in Kyiv, Mariana Demkova, implies that to introduce a Freedom of Information Act in Ukraine will take a considerable long time, and this is due to that fact that processes like this are complex. Demkova refers to how the situation was when Germany implemented the Freedom of Information Act. Germany experience number of complex problems that Ukraine can learn from. “For Ukraine it is certainly important and useful to investigate the German experience: what stood in the way of difficulties in developing, how did it go to implement bill and to enforce the law in practice”, Demkova says to Olha Wesnjaka.


Will Ukrainians be able to get more information about
their rulers online in the future?
Photo: Sophie Engström

A group of Ukrainian specialists, headed by deputy Andriy Shevchenko, will therefor go to Germany to meet German collegues and ministers to discuss and learn about the implementation the federal law on freedom of information in Germany. Since the Ukrainian Federal commissioner for data protection and freedom of information will visit the Ministry of Economy, which takes care of telecommunications issues, the Ukrainian Pirate Party should feel some concern. ACTA traditionally works very close to ministries in Europe that handle questions like freedom of information.


A Missing Gaze

Category: by oleksiy radynski, guests, movies
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(Läsningstid: 3 minuter)

Melody for a Street Organ (2009) by Kira Muratova compensates for the 20 years-long absence of social cinema in Ukraine in a strikingly unexpected way. To capture the social reality of Ukrainian society is not an easy task, since, like any other post-Soviet society, it avoids a direct look at its basic manifestations (like marginalization of large social segments and dissolution of interpersonal links) by rendering them invisible for the mass media apparatuses. In order to assemble the mosaic of unrepresented society, Muratova has chosen the vantage point that is generally repressed in contemporary Ukraine. Her latest film is set in public spaces where taking pictures is usually prohibited for reasons that are neither explained nor questioned, in spite of availability of those spaces for the general public: the train station and the supermarket.

The first part of the film follows a couple of homeless kids through a railway station, where they are confronted with a series of unfavourable circumstances, while the second part takes them to a supermarket, where the penniless protagonists, hallucinating from hunger, are trying to get some food. Still, those areas – the railway station and the supermarket – are only seemingly excluded from democratic representation, since they are subjected to numerous surveillance apparatuses that not only passively collect information but also actively constitute the social relations at the observed territory, producing the subjectivities of those under surveillance. By entering this domain of monopolized representation with her camera, Muratova gets an opportunity to spy at the members of contemporary society reduced to their purely functional, mechanical identities – those of the train passengers or supermarket clients.

This reduction is obvious in numerous film scenes where the kids appeal to occasional strangers with a cry for help only to get a standardized, artificial, ‘cinematic’ reaction from the people who cannot transcend their prescribed social roles. In a crucial episode of the film, the kids occasionally witness the extrinsic child beggar telling their own numerously repeated story verbatim to a stranger and getting a generous reward. The shock that children experience in the course of the scene is quite similar to a shock of the viewer confronted with Muratova’s numerous episodic characters that despite of their constructed, unnatural behaviour (or, maybe, precisely owing to these features) are strikingly recognizable in their representation of post-Soviet social identities. Rather than reproduce “reality as it is”, Muratova focuses on fiction underlying the reality itself, a fiction that is deconstructed from an ‘impossible’ viewpoint of the camera sneaking after the people who unconsciously perform their prescribed identities.

Oleksiy Radynski is an essayist, editor and scholar of film theory. He is a postgraduate student at the National University of Kyiv-Mohyla Academy and collaborator at Visual Culture Research Center at the same university.


Cha-Cha-changes – S:t Petersburg 1995/2010 with a new perspective

Category: art, guests, russia
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(Läsningstid: 1 minut)

Last week viewpoint-east.org introduced a new element, a virtual gallery. After Maria Magnusson’s set S:t Petersburg 1995/2010 was published, I thought to myself that it would be nice with a reply, from today’s Petersburg. I started to search and I found Ekaterina Khozatskaya, an Urban Sketcher for S:t Petersburg.

Here is her set cha-cha-changes and below you can read her own thoughts.

I was born in S:t petersburg 23 years ago and lived there for all my life. I was only 9 years in 1995, so I don’t remember much from that time. I remember my school, coffe with buns, women selling “Pribaltic”-sweaters and wool hoods in front of DLT (Leningrad trade house). Illegal, I suppose.



15 years have passed, Life differents much, but it seems that it has always been like that. 
People moved from kitchens and backstreets to bars and cafes. Sushi restaraunts on every corner, coffe shops, and italian restaraunts, english pubs and swiss bakeries.


Hypermarkets, and shopping centers: “Red triangle” boots replaced by hundreds of foreign companies.

 It’s not a problem to go abroad any more. 

In the 90’s it was hard to imagine that computers, internet, mobile phones would exists in almost every house.

 But today it is a fact!

Of course it’s not for everyone and you can still meet lots of people like on Marias photos, which are not victims of fashion, and lots of shops without food, still.

But a lot of things have changed. As you can see in my sketches.


Border – Nagorno Karabach 15 Years Later

Category: guests, movies
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(Läsningstid: 5 minuter)

Maria Nilsson has seen the movie Border by the Armenian director Harutyun Khachatryan.

In the beginning of February the award winning Armenian director Harutyun Khachatryans movie “Border” was shown on the Gothenburg Film festival. Border is set against the mountains of South Caucasus and the unresolved conflict between Armenia and Azerbaijan over the region of Nagorno Karabach in the south Caucasian mountains. This war stricken parts of the world has suffered greatly the last twenty years. In the centre of attention in this very slow and scarsly spoken movie is a small mountain village and its inhabitants. The camera is slowly capturing the change of season while the conflict is continuously present in the shape of barbed wire and sirens surpassing all other noises.

The conflict
The war in Nagorno Karabach was yet another war that broke out in the aftermath of the fall of the Soviet Union over territories that was close to impossible to pronounce for Western journalists. The war in Nagorno Karabach would however prove to be unusually bloody and drawn out. Between 1991 and 1994 over 35000 is believed to have been killed in the fighting’s and many times more were forced to leave their homes. The background of the conflict is found in historical antagonism, Stalin’s power play and the control vacuum opening after the dissolution of Soviet Union. Nagorno Karabach with an Armenian majority was 1921 by a direct decision from Stalin transferred from the Armenian SSR to the Azerbaijan SSK and consequently during the following years a large number of Azeris settled in the Nagorno Karabach area. During the highpoint of glasnost and perestroika the local parliament of Nagorno Karabach voted for the region to be transferred to the Armenian SSR which was highly opposed by Moscow, a resistance that was keep until the fall of the Soviet Union.


Photo: Maria Nilsson

The independent Nagorno Karabach
Nagorno Karabach republic (NKR) or Mountainous Karabach as the area is also called, declared itself independent in 1994, the same year as the cease fire was brokered. Today the region is not recognized by any other state but still keeps its own parliament, president, currency the cease fire is still only a cease fire and retained by the several thousands of soldiers on both sides of the barb wires. Nagorno Karabach would not survive with out the economical, military and societal support from Armenia and the ties between the two are strong although combined with a sense of a distant and occasionally problematic and stubborn relative. The first decade of alleged independence have not been an easy path for Nagorno Karabach. Not unlike similar regions for example Transnistrien (Moldova), Adjarien (Georgia) the declared independence has brought with it a corrupt, sometimes straight out criminal, domestic politics.

Travelling in Nagorno Karabach means travelling through the landscape that H Khachatryans so precisely paints in the movie Border. The narrow road after turning left on the main road leading from Yerevan to Iran is ironically called a highway but could easily be taken for a village road. Climbing up the Caucasian mountains and further into the Nagorno Karabach area it is difficult to understand how two cars could ever meet. The incredible Caucasian mountain that has not only proven to be highly accommodating for beyond cruel guerrilla wars but also creates one of the most inaccessible areas in the region. The first impression of the landscape and reappearing in the movie is the lack of visible human lives and the breathtaking sights. Houses are randomly placed down the slopes of the mountains, coming closer it is visible that only a fraction of the houses are occupied while the majority of them still appears to have been left in a hurry under fire of hostile troops and often with snipers holes left on the house shells. Judging from the reconstruction process the cease fire could have taken place fifteen days ago, not fifteen years ago.


Photo: Maria Nilsson

As in any war stricken society there are instances coming across as oddly out of place. In Nagorno Karabach it is the BMW cars trafficking the road in sharp contrast to the ladas and muscovite, the giant football stadium right in the centre of the city and the village Vank located a few miles outside of the main city Stepanakert. Vank contained as many others villages a mixed Armenian and Azeri population before the war but in the ethnical cleansing during the war all Azeris left the villages. A now Russian based oligarch was born in the village of Vank and has donated large sum of money to the reconstruction of the school which now must the only school in Nagorno Karabach with an adjoining swimming pool.

The slow moving film border capture both the harsh living conditions for the inhabitants left to the mercy and ever changing conditions of nature. It is cold, it is raw, it is tough and transfers a sense that the people are too preoccupied mere surviving to shed any time on unnecessary small talk. Ending with a devastating fire on the eve of a young couples wedding the movie communicate a message of hopelessness and resignation transcending from the unresolved conflict where the lack of permanent peace agreement is preventing financial and societal improvements. Until this can be accomplished the next fifteen years appear to be following the same track as the preceding fifteen.



Film stills from the movie Border.

You can also read a review of the movie Boarder at Kinokultura.